Scarf - Van Gogh Irises Faux Silk Square, 35.5 in

The Garden in Full Bloom, Draped Around You

Painted just one day after Van Gogh arrived at the Saint-Paul-de-Mausole asylum in Saint-Remy in 1889, Irises is an explosion of life, color, and close observation. The painting fills the entire canvas with a dense garden of violet-blue irises, their petals rendered in bold, confident strokes against a warm earth-toned ground and brilliant green foliage. There is no sky, no horizon -- only flowers, pressing forward with an almost joyful urgency.

This Van Gogh Irises faux-silk square scarf captures the same vibrancy. Made from satin polyester faux silk with a lustrous satin finish, the 35.5 x 35.5 inch scarf brings the deep indigo-violet of the irises, the lush green of the leaves, and the warm russet-orange ground to life with striking color fidelity. The print is rich and vivid, the edges are cleanly stitched, and the fabric drapes with an elegance that makes it as beautiful when tied to a handbag as when worn around the neck or shoulders. For a coordinated art-lover look, browse our Museum Tote Bag Collection.

A meaningful gift for gardeners, art lovers, Impressionist enthusiasts, or anyone who has stood before this painting at the Getty and felt the garden lean toward them. It is wearable art at its most immediate and joyful.

• Material: Satin polyester faux silk
• Size: 35.5 x 35.5 inches (90 x 90 cm)
• Printed one side | Stitched edges | Satin finish | Vibrant colors

Vincent van Gogh | Master of Post-Impressionism

Vincent van Gogh (1853-1890) transformed Western painting in less than a decade of work, producing nearly 900 canvases before his death at thirty-seven. Though he sold almost nothing during his lifetime, he is now among the most beloved and widely studied artists in history, with major works held at MoMA, the Getty, the Musee d'Orsay, and the Van Gogh Museum in Amsterdam.

Van Gogh worked in the tradition of Post-Impressionism, a broad movement of late 19th-century painters who took the Impressionists' liberation from academic tradition and pushed it further Ñ toward personal expression, structural experimentation, and emotional intensity. Van Gogh's signature style is defined by his energetic, almost sculptural brushstrokes, his fearless use of complementary color contrast, and his ability to make the inanimate world feel alive. His flowers are never merely decorative -- they pulse, lean, and surge with an inner life. Irises, painted in the first days of his asylum stay, is one of his most immediate and viscerally alive works: therapy through observation, beauty wrested from difficult circumstances.